'PIRANHA 3D' REMAKE VERZÖGERT SICH
Weil heute ja ein Remake alleine nicht mehr ausreicht, muss es schon ein Remake in 3D sein. So verhält es sich auch mit Alexandre Ajas Remake des Joe Dante Klassikers 'Piranha'. Es gibt wohl Probleme mit der Technik der Produktion und die Dreharbeiten wurden um ein paar Monate verschoben.
Aja hierzu: We pushed production back to spring for weather reasons and location reasons. There’s so many problems that we’re going to have to solve. After doing a movie with mirrors where it was kind of like a nightmare to avoid all the reflections, making a movie in 3D underwater and on the water is going to be the biggest challenge.
Aja über 3D im Allgemeinen: Something I’ve been trying to do for almost ten years now is trying to make movies where the audience is not watching a story or watching some actors but where the audience is crossing the screen and getting on the other side of the mirror, if you will and lives the nightmare of the screen with the protagonist. When James Cameron said that he wanted to go back and reinvent 3D technology, I always thought with my writing and producing partner that it would be the best tool to create the best horror movie. When people are a version of the audience inside the movie, what is the best thing in 3D to create the full-immersion? I think it’s only logical to use the horror genre for 3D to become even more efficient.
Aja hierzu: We pushed production back to spring for weather reasons and location reasons. There’s so many problems that we’re going to have to solve. After doing a movie with mirrors where it was kind of like a nightmare to avoid all the reflections, making a movie in 3D underwater and on the water is going to be the biggest challenge.
Aja über 3D im Allgemeinen: Something I’ve been trying to do for almost ten years now is trying to make movies where the audience is not watching a story or watching some actors but where the audience is crossing the screen and getting on the other side of the mirror, if you will and lives the nightmare of the screen with the protagonist. When James Cameron said that he wanted to go back and reinvent 3D technology, I always thought with my writing and producing partner that it would be the best tool to create the best horror movie. When people are a version of the audience inside the movie, what is the best thing in 3D to create the full-immersion? I think it’s only logical to use the horror genre for 3D to become even more efficient.